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YAMAHA
Digital Mixers -
DVM1000V2

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Yamaha Digital Mixer - DVM1000V2



Model: DVM1000V2
Yamaha Digital Mixer

Mixing performance and features directly inherited from the DM2000 and 02R96 in a rack-mount size console. Version 2 offers ESAM II support, Add-on Effects compatibility, and numerous other upgrades
Features
Applications
Specifications
Optional Accessories:
Add-on Effects :
Channel Strip, Master Strip, Reverb, Surround Post, Vintage Stomp

19-inch Digital Production Console for Professionals in the Studio or On the Road

When the acclaimed Yamaha DM2000 console appeared on the production scene, it proved that true 24-bit/96 kHz performance, DAW integration, and surround production facilities were what the industry had been waiting for. With the introduction of the 02R96 the same benefits became available to a broader range of engineers and facilities, including project studios for music production. Now the Yamaha DM1000, like the DM2000, is designed especially for commercial post-production, audio for video, and broadcast applications. But extraordinary versatility and configurability mean that the DM1000 is also ideal for a wide range of sound reinforcement applications.
The DM1000 Digital Production Console distills the essence of the DM2000 into a remarkably compact console that delivers the same level of performance and key features. And with the supplied Studio Manager Application software, all mix data is interchangeable between the DM2000, DM1000 and 02R96. These consoles can be linked and cascaded interactively within a multi-room studio, or a tour engineer can do a basic console setup on his laptop computer anywhere, and then simply load the settings into the console at the venue.
Like its predecessor, the DM1000 delivers mixing power and performance that's way ahead of anything else on the market, and it even incorporates newly introduced software features such as 6.1 Surround, User Assignable Layer, and Global Recall Safe. Never has so much mixing power and versatility been available in a compact, rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even higher level of refinement

Features
  • Precise 24-bit/96-kHz Audio and High-performance Head Amps
  • Precise 24-bit/96-kHz Audio and High-performance Head Amps
  • Powerful Channel Functions with Flexible Control and Patching
  • Versatile Connectivity for a Wide Range of Applications
  • Two I/O Expansion Slots for Easy Expansion in a Variety of Formats
  • Four Advanced Multi-effect Processors Include Surround Effects
  • Sophisticated DAW or Digital Recorder Integration
  • An Ideal Platform for Surround Production
  • Enhanced Surround Monitoring Environment Includes Bass Management
  • A Powerful Performer in Live Sound Settings
  • Functions and Performance Fine-tuned for Professional Use
  • Seamless Add-on Effects Support
  • ESAMII Video Editor Support
  • A Major Studio Manager Evolution

Advanced Features:

  • Comprehensive Interface with Touch-sensitive 100-mm Motor Faders
  • Scene Memory and Automix Functions for Efficient Workflow
  • Versatile Pairing and Grouping Functions Enhance Mixing Efficiency
  • DM1000 Editor Software Supplied
Applications
  • Computer Based 96kHz Recording
  • Connection with 96kHz Recorders & Workstations
  • DVD Authoring (6.1 Surround Monitoring)
  • Sound Reinforcement (48 Remote Mic/Instrument Input System)
 
General Specifications
Internal processing: 32bit (Accumulator=58bit)
Sampling frequency: Internal: 44.1kHz, 48kHz, 88.2kHz, 96kHz
External: Normal rate -44.1kHz(-10%) - 48kHz(+6%)
Double rate- 88.2kHz(-10%) - 96kHz(+6%)
Total harmonic distortion*
Input Gain=Min.:
CH INPUT to OMNI OUT
Less than 0.05%, 20Hz to 20kHz @+4dB into 600Ω
Less than 0.01%, 1kHz @+18dB into 600Ω
(@Sampling frequency=44.1/48kHz)
Less than 0.05%, 20Hz to 40kHz @+14dB into 600Ω
Less than 0.01%, 1kHz @+18dB into 600Ω
(@Sampling frequency=88.2/96kHz)
Frequency response: CH INPUT to OMNI OUT
0.5, -1.5dB 20Hz - 20kHz @+4dB into 600Ω
(@Sampling frequency=44.1/48kHz)
0.5, -1.5dB 20Hz - 40kHz @+4dB into 600Ω
(@Sampling frequency=88.2/96kHz)
Dynamic range
(maximum level to noise level):
110dB typ, DA Converter (OMNI OUT)
106dB typ, AD+DA (to OMNI OUT)
Hum & noise level **
(20Hz to 20kHz) Rs=150ohms Input Gain=Max Input Pad=0dB Input Sensitivity=-60dB:
-128dB Equivalent Input Noise
-86dB residual output noise, OMNI OUT STEREO OUT off
-86dB(90dB S/N), OMNI OUT STEREO fader at nominal level and all CH INPUT faders
-64dB(68dB S/N), OMNI OUT Master fader at nominal level and one CH INPUT fader
Crosstalk(@1kHz)
Input Gain=Min:
80dB adjacent input channels (CH1-16)
80dB input to output
Power requirements: Japan:: AC100V 50/60Hz, 135W
North America: AC120V, 60Hz, 135W
Other Areas: AC220-240V, 50/60Hz, 135W
Dimensions, Weight: DM1000: 436 x 200 x 585 mm (17.1" x 7.8" x 23.0")
With MB and SP: 486 x 295 x 635 mm (19.1" x 11.6" x 25.0")
20.0kg (75lbs)

* Total Harmonic Distortion are measured with a 6dB/octave filter @80kHz
** Hum&Noise are measured with 6dB/octave filter @12.7kHz;equivalent to a 20kHz filter with infinite dB/octave attenuation.

 
Analog Input Characteristics
Input Terminal PAD Gain Input Level Actual Load Impedance For use with nominal Connector
Sensitivity Nominal Max. before clip
CH Input 1-16 0 -60dB -70dB -60dB -40dB 3kohms 50-600ohm Mics & 600ohm Lines XLR3-31 Type (Balanced)
-16dB -26dB -16dB +4dB
26 -6dB +4dB +24dB
Omni In 1-24 +4dB +4dB +24dB 10ohms 600ohm Lines XLR3-31 Type (Balanced)
 
Analog Output Characteristics
Output Terminal Actual Source Impedance For use with nominal GAIN SW Output Level Connector
Nominal Max. before clip
Omni Out 1-12 150ohms 600kohm Lines - +4dB +24dB XLR3-32 Type (Balanced)
Phones 100ohms 8ohm Lines - 4mW 25mW ST Phone Jack (Unbalanced)
40ohm Lines - 12mW 75mW
 
Digital Input Characteristics
Terminal Format Data Length Level Connector
2TR In Digital 1 AES/EBU 24bit RS422 XLR3-31 Type (Balanced)
2 IEC-60958 24bit 0.5Vpp/75ohms RCA Pin Jack
 
Digital Output Characteristics
Terminal Format Data Length Level Connector
2TR Out Digital 1 AES/EBU (Professional use) 24bit RS422 XLR3-32 Type (Balanced)
2 IEC-60958 (Consumer use) 24bit 0.5Vpp/75ohms RCA Pin Jack
   

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Yamaha
MIXERS -
DIGITAL MIXERS -
PM1DV2 | PM5D, PM5D-RH  | M7CL-48, M7CL-32 |  LS9-32, LS9-16 | DVM2000VCM | DVM1000V2 | 02R96V2 | 01V96V2 |
ANALOG MIXERS -
PM5000 | MG32/14FX | MG24/14FX | MG16/6FX | MG16/4 | MG12/4FX | MG12/4 | MG10/2 | MG8/2FX  | POWERED MIXERS - EMX5016CF |
EMX5014C
| EMX512SC | EMX312SC | EMX212S  | Portable PA Systems - STAGEPAS 300  | Add-on Effects - AE011  | AE021  | AE031  | AE041  | AE051

PROCESSORS - Digital Multi Effects - SPX2000
 | Digital Mixing Engines - DME64N, DME24N | DME Satellite | Speaker Processor - SP2060 |
Digital Reverbs - REV100 | Analog Equalizers - Q2031B
|

POWER AMPS - Stereo Power Amps - Tn Series | PC-1N Series | XP Series | P Series | Multi-Chan. Power Amps - XM Series  |
Distribution Power Amp -
XH200

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| Club V Series | BR Series | AX Series SURFACE MOUNT SPEAKERS - S55 | S15  | POWERED SPEAKERS -
MSR100 | MSR400 | POWERED SUBWOOFER - MSR800W | POWERED MONIT. SPEAKERS - HS Series | MSP5A | MSP3 | MS101II |

INTERFACES - Mini-YGDAI Cards | Network Interfaces - ACU16-C | NHB32-C | NAI48-ES | A/D, D/A Converters - AD8HR | AD824 | DA824 |
Mic Line Amplifier - MLA8

JBL | LSR25P | LSR6312SP | LSR6328P | LSR6332|
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